This landscape, painted in colour watercolour, is inspired by the traditional aesthetics of China and Japan, where nature is not only scenery, but spirit. The scene shows a tranquil river flowing through the paper as if it were flowing in a dream. An arched bridge connects the two banks, and on it walk small figures in traditional dress: kimonos or hanfu, serene faces, slow steps. In the background, almost as if emerging from the mist, the curved roof of a temple is insinuated, silently guarding the history of the place. The watercolour technique has been worked with softness and breath. The brushstrokes are loose but meditated, evoking oriental landscape painting (shanshui) where the important thing is not fidelity to detail, but the balance between full and empty, between what is shown and what is suggested. The water, the silent protagonist, reflects the sky with barely defined spots, while the colours - earthy, soft greens, diluted blues - accompany the calm of the whole. This drawing is not just an image, but an invitation to meditation. Like the old painted scrolls that were unrolled little by little, this landscape proposes a slow journey, where each element has its place, its weight, its pause. It is a tribute to the ephemeral, to harmony, and to the beauty that dwells in the simple.